The “False Positive” Autofocus Trap

Have you ever faced a low light or low contrast subject and discovered that, despite the viewfinder showing a confirmed AF lock, the camera actually missed critical focus?

If you answered yes, then you’re certainly not alone. You fell victim to the “false positive” AF lock – and it can be a heart breaker.

When I run across that scenario myself, I use the technique outlined in the video below to help overcome the problem. Plus, it works especially well for wildlife subjects with “challenging” facial structure too (deep-set eyes, slanted faces, – you know, the kinds of things where it’s tough to get right on the eye.

If you’re like me and are a stickler for a sharp eyeball, then you’re gonna love this video.

.

PS – If you enjoyed this post, I think you’ll REALLY like my e-books, Secrets To Exposure And Metering For Nikon, Secrets To Stunning Wildlife Photography, and Secrets To The Nikon Autofocus System – as well as my new Noise Reduction video workshop. They’re filled with hundreds of tips, techniques and information just like this. Check ’em out – click here (hey, it’s free to look).

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This entry was posted in Techniques, Using Your Gear, Wildlife.

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Bruce McFaddenGary HaighSteve NachmanMark SlifkinJim Greer Recent comment authors
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Bruce McFadden
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Steve, Most excellent instruction as usual. One thought. Focus performance is different when approaching from each of the two directions, ie, too far out to actual or too close to actual . Sometimes more accurate in one direction than other based on my and I imagine your Focal Software experience right? So wondering what you think of turning the ring one way, shoot burst then turn other way and shoot burst instead of same direction for all the times? Thanks for all your service to the photographic community. Have your Exposure and AF books and highly recommend them to all.… Read more »

Steve Nachman
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Steve Nachman

Will this work with the Z cameras? When will you release your manual for the Zs?

Jim Greer
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Jim Greer

This guy GOOD

Mark Slifkin
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Mark Slifkin

totally support that comment

Gary Haigh
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Gary Haigh

Nice video once again Steve. Question, are those leaf cutter Ants walking down the tree behind you?

Hervé
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Another bunch of good tricks making me feel like going on the field to try it! Your videos are very constructive and indeed, your pictures veeeeeeeeeeeeeeeery sharp!

Antony Chodas
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Thanks for the video Steve. Excellent as usual. One thing I have experienced with VR lenses is sharpness loss with the stabilizer active as if the floating lens element has not “settled down” … if that makes sense. I find I periodically lose critical sharpness when with VR enabled mainly on Nikon super telephotos even at decent shutter speeds. When this happens, I use your technique of making the subject totally out of focus and then shooting another burst once the lens locks on a second time. I’m not sure if you have experienced VR related sharpness issues. Also, I… Read more »

Gary
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Gary

Another Excellent tip/tips Steve, thank you
Have not tried the defocus option …………next challenge! 🙂
Regards,
Gary

Marcus
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Marcus

Great tips, Steve. When shooting Barred Owls locally in a woodland and with already limited light around dusk, sharp eye focus (heck, any focus sometimes) can be a challenge. Exposure too with any semblance of shutter speed can be a challenge: for portrait shots (again, particularly of owls who will hold themselves incredibly still), with big glass, tripod mounted to the D850, I will utilise live view, AF-S and Fine Point, tapping the screen to put the single point on the eye. I use a Vello remote shutter release as shutter speeds for this technique are frequently at 1/5 sec… Read more »

Sumangala Rajapakse
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Sumangala Rajapakse

My Dear Steve Perry – Watched the very nice video presentation and I am learning a lot. I am doing Wildlife Photography and your e-books and all other videos on Nikon Wildlife Photography very valuable Resources to Me. At the moment in my Research Library I have a collection of your e-books and a collection of videos too. I greatly appreciate your extra-ordinary works and the service you are doing for the sacred subject – WILDLIFE PHOTOGRAPHY. Once again Thank you very much for sharing and all Good Wishes to do more fruitful works for the betterment of Nature and… Read more »

Bruce
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Bruce

Not surprising that eyes are a problem as the autofocus works by detecting areas of contrast and usually the areas around the eye provide more contrast for the sensors than the eye itself. With a moving subject I need to use autofocus but when the subject and I am stationary then I use manual focus most of the time as it provides me with the most control.
With some lenses, like my 80-400mm VR, the VR seems to cause a last second shift in the autofocus point and I try to avoid using VR with this lens.

Charlie C.
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Charlie C.

Great tip. Often I’ve had to sharpen an eye or two. I’ll give it a try next time in such a situation. Great e-books, right to the point. Love your dialog.

Michael
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Michael

Thanks so much. Great Information

Phil Duff
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Great video on a not uncommon problem sometimes faced by wildlife shooters. In your experience is Nikon AF when locked always or usually more accurate than old-school manual focus in low light/contrast scenarios? I guess my question is instead of slightly defocusing and then pushing AF-on more accurate than simply refocusing using only manual focus? Some cameras (Fuji mirrorless comes to mind) have a manual focus auto assist magnification feature and also focus peaking that can really help the speed and accuracy of critical manual focusing. Nikon I believe only has the focus assist light which isn’t of much help… Read more »

Edward Lee
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Edward Lee

Steve! Great video. You point out things that I’ve encountered and tried to overcome, hopefully successfully. I notice “false AF” especially when zooming from, say 100MM to 300MM or any other large amount of zoom with the lens that I mainly use. I’ve solved the problem by releasing the “AF-ON” button and then pressing it a second time. And I shoot a sequence of exposures as well as you recommend. I always find a sharp exposure but it’s not always the first one! I believe other factors come into play. I do model photography and I encounter the same problems… Read more »

Joe Hudspeth
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Thanks Steve. Your explanation of this and the “how to” for the fix for it explains the “why” of my frustration at times. Now I know!

Dotty
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Dotty

Thanks for the tip, Steve! Will give it a try!

Carlos J Calderon
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Carlos J Calderon

Excellent video and thanks for sharing your knowledge with us.

Joe
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Joe

Thanks Steve! Another useful tip.